Spectrasonics Omnisphere 2 – 14,000-Sound Hybrid Synth for Cinematic Textures and Underscore

€39.99

Spectrasonics Omnisphere 2 is a flagship software synthesizer with over 14,000 sounds, granular, FM, wavetable and sample-based synthesis, and hardware synth integration. Its multi-layer patches, orbital sound morphing and 50-plus effects make it a first call for cinematic textures and evolving underscore.

SKU: OMNI2UG Category:
Description

Play a pad from Omnisphere 2 under almost any scene and the picture immediately feels scored. That is why this synthesizer, from Spectrasonics, has become the industry-leading instrument for rich cinematic textures, deep basses, lush pads and evolving soundscapes among top producers, composers and sound designers. It combines an extensive library of over 14,000 sounds with advanced synthesis and seamless hardware integration, and its range covers electronic music, film scores and ambient sound design with equal authority. For many composers it is not one synth among several; it is the layer that binds the electronic and orchestral parts of a score together.

A Synthesis Engine With Four Personalities

Omnisphere’s power synthesis engine spans granular, FM, wavetable and sample-based synthesis inside one instrument, so a sound can begin as a sampled source, be granulated into a texture, and be modulated like a synthesizer rather than played like a static sample. Orbital sound morphing provides unique real-time sound manipulation, and multi-layer patches allow multiple layers to be stacked for complex, evolving textures — the architecture behind those long, changing underscore beds that never seem to repeat. Deep modulation capabilities, with extensive LFOs, filters and envelopes for shaping sounds, give the control needed to make those textures follow a scene’s emotional arc instead of merely filling its duration. An audio import function lets you drag and drop your own audio files for creative manipulation, turning production recordings or personal samples into Omnisphere material.

14,000 Sounds and a 50-Effect Rack

The factory library exceeds 14,000 inspiring sounds covering every genre, which is why Omnisphere is as often a writing tool as a design tool: a composer can sketch an entire cue from its patches and still have unexplored territory after years of use. The high-quality FX rack adds over 50 effects, including reverbs, delays and distortions, so patches can be finished inside the instrument. Industry-leading sound quality is the consistent theme — this is an instrument used by Grammy-winning producers and composers — and its expansion potential extends further through compatibility with Spectrasonics Keyscape and Trilian, letting the Spectrasonics instruments work as a connected family in one template.

Hardware Integration and the Studio Workflow

Unusually for a software synth, Omnisphere integrates with hardware. Control from popular MIDI keyboards is built in, and the named hardware integration extends to instruments from Moog, Roland, Sequential and Korg, so a hardware synth on the desk can become a tactile control surface for Omnisphere’s engine. In a scoring workflow that means performances can be played and shaped by hand under picture, with the software’s depth responding to the hardware’s immediacy. Licensing is a one-time purchase with a lifetime license and free updates provided whenever available; an internet connection is needed only for initial activation and updates, and installation on multiple computers is permitted, though simultaneous use may require additional licenses.

Specifications and Compatibility

Omnisphere 2 runs on macOS 10.11 or higher and Windows 7 or higher, in 64-bit, with plugin formats VST, VST3, AU and AAX. Supported DAWs include Ableton Live, FL Studio, Logic Pro, Pro Tools, Cubase, Studio One and Reaper. Its stated content and features comprise over 14,000 sounds, granular, FM, wavetable and sample-based synthesis, hardware synth integration, extensive LFO, filter and envelope modulation, orbital sound morphing, multi-layer patches, audio import and an FX rack of over 50 effects. Few instruments define a category; this one defines cinematic synthesis for a generation of composers. Its combination of a huge curated library, four synthesis methods and hands-on hardware control explains why it remains a first installation on new scoring rigs, years after its release, for composers working in film, games, ambient music and electronic production of every kind. Download it today and hear why it sits at the centre of so many scores.

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