Aurora DSP Everything Bundle – All-in-One Amp Modelling for Guitar and Bass

€49.99

The Aurora DSP Everything Bundle collects the developer’s complete amp modelling line for guitar and bass in one purchase for Mac and Windows. Clean, crunch and high-gain models, cabinet impulse responses and a full effects chain cover the whole recording rig.

SKU: AURORADSP-BUNDLE-001 Category:
Description

Recording guitar and bass directly has one obvious risk: every part ends up sounding like the same amp, because that is the amp you own. The Aurora DSP Everything Bundle removes that limitation by collecting Aurora DSP’s complete line of amp modelling, cabinet simulation and effects plugins into a single bundle for Mac and Windows. Instead of committing to a hardware rig before you know what a track needs, you record a clean direct signal and choose the character afterwards, from pristine cleans through blues crunch to aggressive high-gain tones, with dedicated models for bass as well as guitar.

Amps, Cabinets and Effects in One Collection

The bundle contains Aurora DSP’s full lineup of amplifier models, spanning clean, crunch and high-gain characters across multiple musical styles. Cabinet simulation uses high-resolution impulse responses with multiple microphone positions, so you can shape the recorded-amp impression by placement as well as by amp choice, moving from a close, direct sound toward a fuller room character. The built-in effects chain includes overdrive, boost, compression, delay, reverb, chorus and modulation, covering the pedals and rack units most sessions actually use. A rig configurator provides flexible signal path editing across amp, preamp, cabinet and effects, and an extensive factory preset library covers classic rock, metal, blues, jazz, funk and modern genres as starting points. Low-latency DSP keeps the system playable in real time, which is essential if a guitarist is performing through the tones rather than auditioning them afterwards.

Scoring, Re-Amping and Session Flexibility

For composers, the real value is revision. A cue approved with a clean guitar part may need more aggression after a picture edit, and a bass line mixed on headphones may need a different cabinet character on the dubbing stage. With the direct signal kept, both changes are minutes of work rather than a re-recording. Mixing engineers can likewise re-amp or replace direct tones supplied by collaborators, giving parts recorded in different rooms a coherent family sound. Live performers using a laptop rig gain consistent, venue-independent tones, and home studio producers gain range: one bundle can cover a delicate underscore part in the morning and a heavy trailer cue in the afternoon. The bass models deserve particular mention, because bass is often treated as an afterthought in guitar bundles; here it has dedicated models, so low parts in hybrid scores can be shaped with the same care as the guitars above them.

Formats, Compatibility and Delivery

The bundle supports AU, VST3 and AAX formats on macOS 10.13 or later and Windows 10 or later, and works with Logic Pro, Ableton Live, Pro Tools, GarageBand, FL Studio, Cubase and other major DAWs. The licence keys and installers are delivered instantly after purchase, and the bundle price represents significant savings against buying the plugins individually. Good practice is to track with monitoring through a tone close to your intention, while recording the clean direct signal alongside it. That preserves the feel of the performance and the freedom to change your mind. If your work moves between guitar-led writing, bass-heavy production and last-minute tonal revisions, this complete collection gives you one consistent environment in which to make all of those decisions.

The collection also supports a healthier approach to arranging with guitar and bass. When many amp characters are available instantly, parts can be given genuinely different voices instead of competing through the same tone at different volumes: a rhythm part can stay dry and percussive, an answer phrase can bloom with delay and chorus, and the bass can occupy its own solid register underneath both. Trying those contrasts takes seconds, so experimentation survives even in a busy session. Guitarists developing parts for picture often find that a change of cabinet or microphone position alone reframes a motif they were about to discard. Keeping the direct recording means none of those experiments are destructive, and a whole family of versions can be auditioned against the scene before anyone commits.

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