MeldaProduction MCompleteBundle – 115+ Processors, Instruments and Mastering Tools
€39.99
More than 115 plugins in a single collection: multiband effects, dynamic EQ, mastering processors, reverbs, drum tools, a modular effects environment and two instruments. It is the deep, technical end of the plugin world, gathered under one licence with lifetime free updates.
The meldaproduction mcompletebundle contains over 115 premium plugins, a number large enough to be meaningless until you organise it by job. For a composer, the jobs are consistent: control dynamics without flattening an orchestral swell, correct a problem frequency in a recorded instrument, place dry samples in a space, add movement to a static pad, and master the result for delivery. This bundle has multiple answers to each of those jobs, including multiband versions of processors that most studios own only in single-band form.
Scale, and What To Do With It
Named highlights in the source material include MAmp for vintage amp emulation, MAutoAlign for fixing phase problems in multi-microphone recordings, and a dynamics group of MDynamics, MDynamicEq and MModernCompressor. Modulation is covered by MChorusMB, MFlangerMB and MPhaserMB, all multiband. MReverb and MTurboReverb handle space, MTurboAmp and MCabinet cover guitar amp and cabinet emulation, and MDrummer, MDrumReplacer and MDrumEnhancer form a complete drum production group. Beyond those sit limitless EQs, saturators, delays, stereo processors, transient designers, spectral processors and mastering modules.
MXXX and the Instruments
MXXX is described as a modular effects environment for building custom processing chains, and it changes how the bundle is used. Rather than accepting a fixed signal path, you assemble your own: a multiband chain that compresses only the low strings, saturates the midrange of a brass section and leaves the top untouched, saved as a single preset and recalled on the next cue. For sound designers building a signature palette for a series, that kind of reusable, self-built processor is valuable.
Two instruments are included. MSoundFactory and MPowerSynth are described as versatile instruments for sonic creation, extending the bundle beyond processing into generation. Combined with the source’s mention of an intelligent randomiser that inspires fresh ideas, the collection supports the experimental end of scoring as well as the corrective end: randomise a chain, keep what surprises you, and build a cue around it.
Working Method and Interface
MeldaProduction’s interfaces are high-resolution, resizable and customisable with colour schemes, with full MIDI learn for hardware mapping. In a scoring workflow that means a processor can be put under a controller and ridden against picture rather than drawn with a mouse after the fact, which matters for dynamic EQ and modulation work in particular. The audio engine is 64-bit, cross-platform, and the bundle is presented as suitable for EDM, hip-hop, pop, orchestral and game audio work alike.
Requirements and Updates
The source lists Windows Vista through 11 in 32-bit and 64-bit, and macOS 10.9 or later at 64-bit only, in VST, VST3, AU and AAX formats, with an SSE2-capable CPU required. It runs in FL Studio, Ableton Live, Cubase, Pro Tools, Logic Pro and other major DAWs. Trial versions are available according to the source FAQs.
The decisive feature may be the licensing model: lifetime free updates, with new tools and improvements added over time. For a working composer, a bundle that keeps growing under a licence already paid for is a different proposition from a static collection, and it is the main reason to choose completeness here over a handful of individual processors.
Depth brings a learning curve, and it is worth being honest about that. With more than 115 plugins, nobody masters this bundle in a week, and it rewards a deliberate approach: pick the dynamics and EQ tools first, learn the multiband modulation next, and treat MXXX as a longer project. Composers who work that way tend to build a small personal subset they know intimately, with the rest of the collection in reserve for the unusual problem a score eventually presents, whether that is a phase issue in a multi-miked recording, a spectral clash in a dense climax or a need for a processor that simply does not exist in fixed form elsewhere.

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